sis and Nephthys on the feet of Artemidora.
Isis and Nephthys are the most preeminent figures on the decoration over the mummy of Artemidora. Over the wrappings of the feet, two appliqués of gold depicted these two goddesses
Osirian and Solar features.
Isis and Nephtys are not identified with any inscription but we know their identity because they appear in a typical mourning position: kneeling and covering their eyes with one hand. With this gesture, the mourners replied the darkness in which the dead was lost. In funerals of Ancient Egypt common mourners also covered their faces with their (nwn gesture) to reproduce the deceased's blindness.
On the other hand, the two goddesses are wearing the solar disk over their heads. In addition, on the upper art of the composition a winged solar disk crowns the scene.
Such a simple composition with solar and Osirian elements is plenty is significance.
Isis and Nephthys into the solar iconography.
The two mourners of Osiris were crucial for the concept of resurrection. In origin, this idea belonged just to the Myth of Osiris, but later on it was also transferred to the solar religion. These two goddesses therefore took also part in the rebirth of the solar disk.
For that reason, it was so common from the New Kingdom to find images, which combined the solar disk with the figures of Isis and Nephthys:
- The two goddesses adoring the god Re-Osiris.
- The two kites flanking the solar disk.
- The two mourners as midwifes of Nut becoming the solar disk from Nut's vagina.
From the XIX Dynasty, the funerary iconography included scenes, which combined the solar disk with the figures of Isis and Nephthys: As we see here in the feet of the mummy of Artemidora.
Artemidora as a part of the composition.
Why is this scene at the feet of Artemidora? The anthropoid coffin in Ancient Egypt gave to the Egyptian artist a new space for the iconography.
The feet space of the cover in the anthropoid coffin seems to introduce in Egyptian art the concept of the observer. During the Middle Kingdom and XVIII Dynasty, this part of the coffin remained with no icons. From the XXI Dynasty became common to include also in that way in this part of the anthropoid coffin the image of the two professional mourners upside down.
The reason for that could be to consider the mummy an observer of the scene. Artemidora, would be facing his feet and watching the images depicted on them. Possibly the icons on that part of the corpse were images to benefit the resurrection: solar birth, the two professional mourners, Udjat eyes…
Suming up, the feet of the mummy of Artemidora contained a very short decoration (Isis and Nephthys with a solar connotation) in a very intentioned place (where Artemidora could observe). That means, a concise iconography, but very effective.
-- Sent from my Linux system.