The American Research Center in Egypt, Northern California chapter, invites you to attend a Zoom lecture by **Waleed el-Hawatky, The American University in Cairo: *** * ---------------------------------------------------------------------------------------------------- ************************************************/********************/********************/******************************/********************/********************/************************************************************************************************/********************/********************/********************************/********************/********************/************************************************************************************************/********************/********************/*****************Here Comes the Sun: A diachronic study on the role of music during the Amarna Period *Sunday, August 16, 2026, 3 PM PDT This meeting is virtual, and not in person. It will be recorded. Zoom registration link: https://us02web.zoom.us/meeting/register/FcyP-FNRSbqg_kpujlRXuA****************/********************/********************/************************************************************************************************/********************/********************/********************************/********************/********************/************************************************ ************************************************/********************/********************/**********************************************/********************/********************/**************************************************************************************************** *** ***************************************** *Relief of People Driving off Birds, **ca. 1352–1336 B.C.E.. **Limestone, pigment, 8 1/4 x 21 1/4 in. (21 x 54 cm). **Brooklyn Museum, Charles Edwin Wilbour Fund, 60.197.3. ****(Photo: Brooklyn Museum,**www.brooklynmuseum.org)* *About the Lecture: *Music has played and continues to play a prominent role in the lives of individuals and in society, hardwired into the human experience and integral to our understanding of the world in both its tangible and intangible manifestations. This was no different in dynastic Egypt, where abundant iconographic and physical evidence from the Old Kingdom on shows music being performed in every context and at every level of society. Music appears not only to gain prominence during the Amarna Period but also to develop innovations, including new instrument designs and musical ensembles, all of which are well documented in the rich visual culture of the Amarna Period. This paper explores music in this era, with an emphasis on the royal court, demonstrating its increased role as compared with the first part of the 18th Dynasty with evidence garnered from representations in tombs, temples and texts, as well as physical instruments, amulets, figurines and other material objects associated with music. Through both an Egyptological and musicological approach, this study not only elucidates the function and possibly accelerated evolution of musical innovation in the Amarna Period, but also the implications of the social and gender roles observed in musical practice within the framework of the Aten ideology, perhaps even inspired directly by it. ******** ** About the Speaker: ***Waleed el-Hawatky* is an Egyptologist and Musicologist with an MA in Egyptology & Coptology from The American University in Cairo. Born and raised in California to Egyptian immigrants, el-Hawatky is a newcomer to Egyptology, coming from a background in genetics and public relations, bringing disciplinary versatility to his work. A composer, performer and recording artist of nearly three decades, el-Hawatky specializes in ancient Egyptian musicology, seeking new approaches to the study of ancient music in hopes of eventually constructing a comprehensive lexicon on the ancient Egyptian musical tradition, contributing to the wider study of daily life in ancient Egypt. ** ****** *****How to Register: * *****************************************************Register for the lecture by clicking on this link: https://us02web.zoom.us/meeting/register/FcyP-FNRSbqg_kpujlRXuA **************************************************** ********************************************************************After registering, you will receive a confirmation email containing information about joining the lecture.* There are a few things you should know before you join the lecture: * *Advance registration is required.* *When you **click on the link to register.***you will receive instructions by email on how and when to join, along with a link on which you will click to join the meeting. Save the email, as you will need the link it contains to join the meeting. Please register now.*****************************************************Please do not share the join link with anyone, it is unique to your email address. ***Try to join at least 10 minutes before the meeting.****When you do join the meeting, *be prepared to be put in the waiting room* until the lecture starts at 3 pm. This is a security measure. * If you haven't already installed Zoom, *you should download and install the Zoom program (app) well before you try to join the meeting*. There IS an option to use your web browser to join the meeting instead of the Zoom program, but the browser interface is limited and depends greatly on what browser and what operating system you're using. * *For tutorials on how to use Zoom*, go to *******************************************************https://learn-zoom.us/show-me <https://support.zoom.us/hc/en-us/articles/206618765-Zoom-video-tutorials>**************************. In particular, "Joining a Zoom Meeting" should show you what you need to do to join our lecture. * *All meeting attendees can communicate with everyone, or with individual participants, using the chat window*, which can be opened by clicking on the chat button and which you can probably find at the bottom middle of your Zoom viewing screen. Participants will be encouraged to hold their questions for the speaker until after the lecture, and will also be encouraged to address their questions for the speaker to everyone, not just to the speaker, so that all can see them. "Everyone" is the default chat option. If you have any questions, please email glenn@glennmeyer.net or arcencZoom@gmail.com. ******************************************** About Northern California ARCE:*/** * ** *//**//**//**//**//**//**//**//**//**/ /**//**//**//**//**/ /**/ /For more information, please visit https://www.youtube.com/@NorthernCaliforniaARCE, https://www.facebook.com/NorthernCaliforniaARCE <https://www.facebook.com/NorthernCaliforniaARCE,>//, ///https://arce-nc.org///, //https://bsky.app/profile/khentiamentiu.bsky.social, and https://khentiamentiu.org. To join the chapter or renew your membership, please go to https://arce.org/membership/ and select "Berkeley, CA" as your chapter when you sign up./ **** * *
Visitors can now descend 46 feet underground into the newly reopened tomb of Amenhotep III, one of ancient Egypt’s most powerful rulers. Closed to the public for over two decades, the 3,400-year-old site officially reopened just ahead of the historic debut of the Grand Egyptian Museum.
A king who ruled at Egypt’s peak
Amenhotep III ascended the throne as a teenager and ruled for nearly 38 years, from around 1390 to 1350 BCE, during the height of the 18th Dynasty. His reign left behind temples, palaces, and statues that historians still study today. Among these monuments are the Colossi of Memnon near Luxor, a pair of large stone figures that once guarded his mortuary temple.
The official reopening of the site took place on October 4, 2025, strategically timed just weeks ahead of the long awaited debut of the Grand Egyptian Museum near the Giza Pyramids on November 1, 2025.
French engineers Prosper Jollois and Édouard de Villiers du Terrage first located the tomb in 1799 during Napoleon’s Egyptian campaign. British archaeologist Howard Carter later conducted a full excavation in 1915. By then, however, looters had stripped the chamber bare centuries earlier.
“The tomb was discovered in 1799, then rediscovered in 1915. It was found empty, having been looted before.”
— Mohamed Ismail, secretary-general of Egypt’s Supreme Council of Antiquities, during the launch.
© TRT Afrika and agencies
What survived the looting
Even without its original treasures, the tomb still shows remarkable splendor. Vibrant, weathered paintings line the walls alongside sacred hieroglyphs drawn from the Book of the Dead. These texts were intended to guide the pharaoh safely into the afterlife.
“The tomb is a fascinating wonder.”
— Ismail.
“You can still see the frame of the stolen sarcophagus box, with its lid preserved in the place where it once rested.”
The restoration ran in three distinct phases over more than 20 years, with teams working from 2001 to 2004, 2010 to 2012, and 2023 to 2024. A collaboration of Egyptian, Japanese, and international teams led the effort. They focused on cleaning, conservation, and repairing the damaged wall paintings, which depict Amenhotep III alongside his royal consort, Queen Tiye.
“Two hundred and sixty representatives over these 20 years — researchers specialized in conservation, technicians with particular skills. I think this is a special achievement,” said Nuria Sanz, UNESCO‘s regional director in Egypt.
© TRT Afrika and agencies
Inside the burial complex
A 36 meter (118 foot) passage slopes downward into a network of three connected chambers. One belonged to the king, while the other two belonged to his queens, Tiye and Sitamun. The wall scenes show Amenhotep III standing among the gods, surrounded by ritual inscriptions invoking eternal life. Unlike some other tombs in the valley, this one was never fully decorated.
The pharaoh’s mummy no longer rests inside the complex. Ancient priests long ago moved it to the tomb of his grandfather, Amenhotep II, for protection. Today, it is displayed at the National Museum of Egyptian Civilization in Cairo alongside 16 other royal mummies.
Tourism looks to a bigger opening
Egypt’s tourism ministry is counting on this addition to the Valley of the Kings, combined with the active first year of the new Grand Egyptian Museum, to continually draw international visitors.
“We are continuing to grow at a rate of 20 percent,” said Sherif Fathi, Egypt’s minister of tourism and antiquities, regarding the seasonal trajectory.
The tomb’s availability comes at a critical moment as the country works to build steady tourism revenue. Unlike a new discovery, this initiative relies on careful restoration work to offer travelers a direct link to Egypt’s golden age.









