ARCENCPostings

Monday, December 28, 2020

Object Biography # 27: A ‘stick shabti’ of Teti-sa-intef (Acc. no. 6038) | Egypt at the Manchester Museum


https://egyptmanchester.wordpress.com/2020/12/17/object-biography-27-a-stick-shabti-of-teti-sa-intef-acc-no-6038/
On 12/17/20 9:07 AM, Campbell@Manchester wrote:
Object Biography # 27: A 'stick shabti' of Teti-sa-intef (Acc. no. 6038)

Although among the rather less prepossessing artefacts in the Manchester collection, this crudely carved wooden figurine holds significant interest. Often called a 'stick shabti', the figurine may in fact not really be a shabti – in the conventional Egyptological sense of a 'servant' – at all.

Acc. no. 6038. Photo: Glenn Janes

Often described as 'mummiform' in shape, several examples of similar crude wooden figurines have been found in small wooden coffins and/or wrapped in linen. They apparently all date to the laste Second Intermediate Period and early New Kingdom. A recent find by an Egyptian-Spanish team at Dra Abu el-Naga consisted of several such figurines wrapped in linen, some within a small wooden coffin. These were uncovered underneath the outer courtyard of the tomb of Djehuty (TT 11, reign of Hatshepsut) and appear to have been left there by a donor some time after the funeral – perhaps on the occasion of the 'Beautiful Festival of the Valley', when friends and family of the deceased would visit the tomb chapel.

Indeed, unlike most shabtis, which were buried close to the deceased in the inaccessible parts of the tomb, stick shabtis are mainly recorded as being found buried in the outer, open areas of tomb chapels – often in significant numbers. Texts are usually inked onto the wood but rather than the standard 'shabti spell' (Chapter 6 of the Book of the Dead) these consist of names, titles and perhaps an offering formula, suggesting a different function to most shabtis.

The fact that these figurines are 'crude' to our eyes need not imply they were created or dedicated by less well-off people – several seems to have been commissioned by wealthy and important members of society. The choice of wood may represent a deliberate means of employing reworked detritus from coffin manufacture, imbued with a special power and connection to the deceased. There is also an intriguing suggestion that the use of the figurines in contexts such as the 'Beautiful Festival of the Valley' influenced the later perception recorded in Herodotus and Plutarch that a figure of the mummy was sometimes exhibited at Egyptian feasts.

Dra' Abu el-Naga' - Wikipedia
Dra Abu el Naga: Wikipedia

This example is dedicated to (rather than by) a man called Teti-sa-Intef (meaning 'Teti son of Intef', Intef being a name of some significance at Dra Abu el Naga from the Middle Kingdom onwards). Several other figurines are known donated in honour of this individual, known to come from the tomb of the mayor of Thebes Tetiky (TT 15) from the very beginning of the Eighteenth Dynasty and excavated by a team working for Howard Carter and Lord Carnarvon in 1908. The Manchester example, although its precise find spot is not recorded, probably derived from the same area.



No comments:

Post a Comment