http://www.penn.museum/sites/artifactlab/2015/
Treasures from Egyptian storage
If you have visited the Artifact Lab in the last couple weeks, you may have noticed that we have a few more objects out than usual, and often, an additional conservator working in here.
The new objects were recently brought up from Egyptian storage by conservator Alexis North, who was previously here as a graduate intern, and now is working as the new Project Conservator for the inventory and move of our Egyptian collections to an off-site facility.
Due to construction that will be happening at the Hospital of the University of Pennsylvania (HUP), which is adjacent to the museum, certain storerooms and galleries will be affected and as a result, the entire Egyptian collection in storage (with some exceptions) must be moved off-site for the duration of the project. This move requires a new inventory of the collection and also that everything be examined and stabilized, through conservation treatment and/or packing solutions, which will benefit the collection greatly. In addition, emptying the Egyptian storerooms will allow us to carry out a much-needed renovation of these areas, so that when the collections return, they will be housed in a much better protective environment.
We will try to feature some of the more interesting objects that come up to the lab as a part of this project on the blog, but if you do have a chance to stop by the Artifact lab this summer, you’ll be in for a treat, I assure you, because we will be working on some pretty amazing things.
The treatment of (half of) a yellow coffin
This week, we finally finished the treatment of the lower half of our 21st/early 22nd Dynasty yellow coffin.
The treatment mostly involved cleaning the interior surfaces to remove dust using a soft brush and HEPA-filtered vacuum, and cosmetic sponges. Here’s another view to give you a better sense of just how much grime had accumulated in the interior of the coffin:
There was also a fair amount of flaking and lifting paint, which needed to be stabilized. We used 1-2% methylcellulose in 50:50 water/ethanol to consolidate flaking paint, and Japanese tissue paper and 5% methylcellulose to fill gaps.
In the course of the treatment, I have also continued to research the significance of the holes drilled into the bottom of the coffin, which can clearly be seen in the overall images at the top of this post, but here is another look:
I’m anxious to start working on the lid of this coffin, which will inevitably provide more information about this object and it’s history. We should be able to bring the lid from storage up to the lab sometime this summer, and I’ll post images of it as soon as it arrives. In the meantime, I have enjoyed researching these types of coffins and finding images of similar ones in other collections (like this one at the Petrie Museum, this one at the Houston Museum of Natural Science, and this “remuddled” coffin at Stanford University) which is helping me gain a better understanding of these coffins and the contexts in which they were made.