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Monday, September 11, 2017

Academia.edu Weekly Digest


Academia.edu
TOP PAPERS FROM YOUR NEWSFEED

Juan Carlos Moreno                                            Garcia Juan Carlos Moreno Garcia
Bookmarked by Salima Ikram

"Oracles, ancestor cults and letters to the dead: the involvement of the dead in the public and private family affairs in Pharaonic Egypt". In: A. Storch (ed.), Perception of the Invisible : Religion, Historical Semantics and the Role of Perceptive Verbs, Rüdiger Köppe, Cologne, 2010, p. 133-153.

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Dorian Fuller Dorian Fuller
Bookmarked by Salima Ikram

ADAPTING CROPS, LANDSCAPES, AND FOOD CHOICES: PATTERNS IN THE DISPERSAL OF DOMESTICATED PLANTS ACROSS EURASIA

After the domestication of plants and animals, the subsequent spread of agriculture represented a process of adaptation of both species and landscapes. Crop species moved beyond their original ecological limits, and their range expansion, when successful, was generally the result of adaptive post-domestication genetic changes on the part of the plants, human-induced changes in agricultural landscapes, and the dynamics of cultural food choice. This chapter explores the patterns by which agriculture became established as a consequence of the diffusion of domesticated plants (and sometimes...

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Antonio J. Morales Antonio J. Morales
Bookmarked by Salima Ikram

Second Season (2016): Freie Universität Berlin Mission to Deir el-Bahari (TT 313, TT 315)

Middle Kingdom Theban Project. Documentation and publication of late Eleventh Dynasty and Middle Kingdom tombs at Thebes. The Middle Kingdom Theban Project will focus on the conservation, reconstruction and management of the tombs of Henenu and Ipi (TT 313, TT 315): landscape, architecture, decoration, texts, and findings from each tomb, etc. In addition, we focus on the documentation, study, and publication of the chapel of Harhotep (CG 28023), another member of the Theban elite in the early Middle Kingdom. In addition, we also concentrate on the role of the tomb owners in the historical...

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Bettina Bader
Bookmarked by Salima Ikram

Children of other Gods: Social Interactions. In: P.P. Creasman, R.H. Wilkinson (eds), Pharaoh's Land and Beyond - Ancient Egypt and Its Neighbors, Oxford University Press 2017, 80-99.

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Juan Carlos Moreno                                            Garcia Juan Carlos Moreno Garcia
Bookmarked by Salima Ikram

"Building the Pharaonic state: Territory, elite, and power in ancient Egypt during the 3rd millennium BCE". In: J. A. Hill, Ph. H. Jones, A. J. Morales (eds.), Experiencing Power—Generating Authority : Cosmos and Politics in Ancient Egypt and Mesopotamia, Philadelphia, 2013, p. 185-217.

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Studi Poliziani di                                            Egittologia 1 Artists and                                            Painting in Ancient Egypt Studi Poliziani di Egittologia 1 Artists and Painting in Ancient Egypt
Bookmarked by Salima Ikram

L. Sist, The Use of Colors in Egyptian Statuary

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Peter Scholliers Peter Scholliers
Bookmarked by Salima Ikram

Food, Drink and Identity. Cooking, Eating and Drinking in Europe since the Middle Ages

" A refreshing addition to the field of food studies … This book makes an important contribution to food studies by placing food in the foreground of identity formation as well as explaining how various groups have used food at various times." (Journal of Social History)

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Hans Barnard Hans Barnard
Bookmarked by Salima Ikram

The preservation of exposed mudbrick architecture in Karanis (Kom Aushim), Egypt

The full article is available through .

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Filip Coppens Filip Coppens
Bookmarked by Salima Ikram

F. Coppens, The Wabet. Tradition and Innovation in Temples of the Ptolemaic and Roman Period

The volume provides an in-depth study of an architectural ensemble that consists of an open court and elevated chapel, better known as the wabet, and forms an essential part of the layout of a dozen temples in Egypt of the Thirtieth Dynasty and the Ptolemaic and Roman era (e.g Philae, Edfu, Dendara, Shanhur, and Deir Shalwit). The volume focuses on the ensemble's location, orientation, and layout, the designations in use to refer to the complex, and the decorative scheme applied to its walls in order to gain a better insight into the activities performed in the complex and its role within...

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Shelley Wachsmann Shelley Wachsmann
Bookmarked by Salima Ikram

Ahhotep's Silver Ship Model: The Minoan Context

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The enduring mystery of an ancient Egyptian king’s smashed sculpture - Israel News - Jerusalem Post


http://www.jpost.com/Israel-News/The-enduring-mystery-of-an-ancient-Egyptian-kings-smashed-sculpture-504118

The enduring mystery of an ancient Egyptian king's smashed sculpture

By
September 3, 2017 20:09

The sculpture was crafted out of "a piece of graywacke, a metamorphic rock only quarried in the ancient Near East in Wadi Hammamat," supporting the notion that the artifact came from Egypt.

The unidentified sculpture of an ancient Egyptian king discovered near the upper galilee in 1995.. (photo credit:Courtesy)


Over two decades later, following its careful reconstruction, researchers still have been unable to identify the sculpture's model, or reason for its destruction, archeology website Ancientorigins.net reported Sunday.

The mysterious head is discussed in the book Hazor VII: The 1990-2012 Excavations, the Bronze Age, and was recently examined in a report by Dimitri Laboury, a senior research associate at the Belgian National Foundation for Scientific Research at the University of Liège, and Simon Connor, a curator at the Museo Egizio in Turin, Italy.






"The person depicted wears a short, close-fitting curled capwig, topped by a uraeus, the solar cobra that rises above the forehead of Pharaoh in ancient Egyptian iconography, thus identifying our character as a king of Egypt beyond any doubt," the researchers wrote.

"The thin, high and somewhat irregular stone projection behind the head suggests that the statuette, almost half life-size, was not free-standing, but was leaning against a dorsal panel or a back slab, possibly within a group sculpture, along with a divinity or a female consort (or even a doubled royal representation)."

According to Laboury and Connor, the sculpture was crafted out of "a piece of graywacke, a metamorphic rock only quarried in the ancient Near East in Wadi Hammamat," supporting the notion that the artifact came from Egypt.

While they were able to pinpoint its creation to the 5th Dynasty (ca. 2465-2323 BC), during which nine pharaohs ruled, the similar physiognomy and typology of the sculptures of that period made it virtually indistinguishable from the others, the researchers said.

Adding to the confusion, over the course of nearly 30 years of excavations at the site, fragments from 18 unidentified Egyptian statues dedicated to Egyptian kings and officials – including two sphinxes – were also discovered at Hazor.

The researchers postulate that the statues, including the one in question, may have been sent to the king of Hazor as official gifts, or were intended as dedications to a local temple.

Before Hazor was conquered and destroyed by a large fire in the mid-13th century BC, it was the largest fortified city in the country and maintained commercial ties with Babylon and Syria, from where it imported large quantities of tin for the bronze industry.



Despite the city's destruction, the researchers contend that the pharaoh's sculpture may have been deliberately shattered as part of a common practice to mutilate or destroy the statues of kings and dignitaries found during the conquering of towns.

Regardless, the enduring mystery of who the sculpture was of continues to vex all who research it.
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Amun-Re goldsmith tomb uncovered in Draa Abul Naga necropolis on Luxor's west bank - Ancient Egypt - Heritage - Ahram Online


http://english.ahram.org.eg/NewsContent/9/40/276757/Heritage/Ancient-Egypt/AmunRe-goldsmith-tomb-uncovered-in-Draa-Abul-Naga-.aspx

Amun-Re goldsmith tomb uncovered in Draa Abul Naga necropolis on Luxor's west bank

The tomb was discovered along with a number of others by an Egyptian archaeological mission led by Mostafa Waziri

Nevine El-Aref , Saturday 9 Sep 2017

A handout picture released by the Egyptian Ministry of Antiquities on September 9, 2017 AFP


In a gala ceremony held in Draa Abul-Naga necropolis on Luxor's West Bank on Saturday, Minister of Antiquities Khaled El-Enany announced the discovery of an 18th Dynasty tomb of god Amun-Re's goldsmith, Amenemhat (Kampp 390), and a Middle Kingdom burial shaft for a family.

Luxor Governor Mohamed Badr attended the ceremony as well as members of parliament, the Greek and Cypriot ambassadors to Egypt, as well as China's cultural attaché and the Swiss head of mission.

The discovery was made by an Egyptian archaeological mission led by Mostafa Waziri. The newly discovered tomb includes an entrance located in the courtyard of another Middle Kingdom tomb, Kampp 150.

The entrance leads to a squared chamber where a niche with a duo statue depicting the tomb owner and his wife is found on one end. The statue shows Amenemhat sitting on a high backed chair beside his wife who wears a long dress and wig.

Between their legs stands, on a smaller scale, a small figure of one of their sons. Waziri told Ahram Online that the tomb has two burial shafts: the main one for the tomb's owner and his wife.

It is seven metres deep and has a collection of mummies, sarcophagi and funerary masks carved in wood along with a collection of ushabti figurines.

The second shaft was uncovered to the left of the tomb's main chamber and bears a collection of 21st and 22nd dynasty sarcophagi subject to deterioration during the Late Period.

In the open courtyard, the mission stumbled upon a collection of Middle Kingdom burial shafts, where a family burial of a woman and her two children was unearthed. It includes of two wooden coffins with mummies and a collection of head-rests.

Osteologist Sherine Ahmed Shawqi, who studied the mummies' bones, explains that early studies on these mummies show that the woman died at the age of 50 and that during her life she was suffering from cavities that led to abscesses in her jaw and a bacterial disease in her bones.

"This woman probably cried extensively as the size of her carbuncular are abnormally enlarged," Shawqi said, adding that inside the coffin the head-rest of the deceased woman was found as well as a group of pottery vessels.

Studies on the mummies of her two children show that they were two adult males of age ranging between 20 to 30 years old. Both mummies are in a very good state of conservation with the bones still having mummification liquids.

Waziri asserted that one of the male mummies shows that he was suffering from cavities during his life while the second shows that it was probably put later in the same coffin because the bones were bare.

Archaeologist Mohamed Baabash, who is a member of the excavation team, said that during excavations the mission stumbled upon several funerary objects, some of which belong to the tomb owner.

Among the discovered artifacts are limestone remains of an offering table; four wooden sarcophagi partly damaged and decorated with hieroglyphic text and scenes of different ancient Egyptian deities; and a sandstone duo statue of a trader in King Tuthmose III's temple named "Mah."

A collection of 150 ushabti figurines carved in faience, wood, burned clay, limestone and mud brick was also unearthed. The mission also unearthed a collection of 50 funerary cones, 40 of which are evidence of the presence of other tombs belonging to four officials.

The exact location of the latter has not been yet found. These officials are Maati, Bengy, Rourou and vizier Ptahmes. The other stamps belong to Neb-Amun, the grain harvester and supervisor of Amun's grain storehouses, whose tomb is probably TT145, and Nebsenu, the high priest of Amun whose tomb is probably Kampp 143.

Short link:

 

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Model 'thrown in jail like a dog' after she was caught posing naked at ancient Egyptian temple - Mirror Online

http://www.mirror.co.uk/news/world-news/model-thrown-jail-like-dog-11150637

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Ancient Egyptian goldsmith's tomb uncovered - Technology & Science - CBC News


http://www.cbc.ca/news/technology/egypt-goldsmith-tomb-1.4284031

Ancient Egyptian goldsmith's tomb uncovered

Tomb contains damaged sandstone statue of goldsmith named Amenemhat and his wife

The Associated Press Posted: Sep 11, 2017 1:03 PM ET Last Updated: Sep 11, 2017 1:03 PM ET

Archaeologists work on mummies found in the New Kingdom tomb that belongs to a royal goldsmith in a burial shaft, in Luxor, Egypt, Saturday, Sept. 9, 2017. (Nariman El-Mofty/Associated Press)

Egypt on Saturday announced the discovery in the southern city of Luxor of a pharaonic tomb belonging to a royal goldsmith who lived more than 3,500 years ago and whose work was dedicated to the ancient Egyptian god Amun.

The tomb, located on the west bank of the river Nile in a cemetery for noblemen and top officials, is a relatively modest discovery, but one that authorities have announced with a great deal of fanfare in a bid to boost the country's slowly recovering tourism industry.

"We want tomorrow's newspapers to speak about Egypt and make people want to come to Egypt," Antiquities Minister Khaled el-Anani told reporters, reflecting the country's desperate need to revitalize tourism.

The tomb contains a statue of the goldsmith and his wife, who lived more than 3,500 years ago, as well as a funerary mask. (Nariman El-Mofty/Associated Press)

El-Anani said the tomb was not in good condition, but contained a partially damaged sandstone statue of the goldsmith, named Amenemhat, and his wife. Between the couple stands a smaller figure of one of their sons.

The tomb has two burial shafts, one of which was likely dug to bury the mummies of the goldsmith and his wife. It also contained wooden funerary masks and a collection of statues of the couple, according to a ministry statement. Three mummies were found in the shaft.

It said a second shaft contained a collection of sarcophagi from the 21st and 22nd dynasties.

Wood parts from coffins on display at the entrance of the New Kingdom tomb that belongs to a royal goldsmith in a burial shaft during a press conference on site, in Luxor, Egypt, Saturday, Sept. 9, 2017. (Nariman El-Mofty/Associated Press)

The tomb belonged to the 18th pharaonic dynasty when Amun was the most powerful deity. It was discovered by Egyptian archeologists, something that a senior official at the Antiquities Ministry hailed as evidence of their growing professionalism and expertise.

"We used to escort foreign archeologists as observers, but that's now in the past. We are the leaders now," said Mustafa Waziri, the ministry's chief archaeologist in Luxor.

© The Associated Press, 2017
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Sunday, September 3, 2017

Reminder: Northern California ARCE Sept. 10 Lecture: Old Kingdom Expressions of Power

Your next Northern California ARCE Egyptology lecture is this coming Sunday. Don't miss it!

Glenn




The American Research Center in Egypt, Northern California Chapter, and the Near Eastern Studies Department, University of California, Berkeley, invite you to attend a lecture by Jessica Tomkins of Brown University
Power in the Provinces: Old Kingdom Expressions of Power
 

Sunday, September 10, 3 pm
NES Lounge, Room 254 Barrows Hall
UC Berkeley Campus

(Near the intersection
of Bancroft Way
and Barrow Lane)

Please Note the Room Change!



About the Lecture:

Power in the Old Kingdom is epitomized by the Great Pyramids, those huge monuments which were, and remain to this day, symbolic of the sheer might and power of those Old Kingdom kings who dominate almost all surviving evidence. But what of those with lesser power, working underneath the king for the state at large - the men stationed throughout the provinces, running Egypt as local leaders and provincial administrators? This talk examines our modern understanding of ancient administrative practices and traces the types of power held by provincial governors and administrators, highlighting how they expressed their power at various regional sites throughout Egypt. An analysis of the dichotomy between the power of the central and regional governments, as well as between the different local governments themselves, highlights the degree to which Old Kingdom Egypt was, or was not, politically and ideologically united, and the extent to which the kings of the Old Kingdom were totalitarian leaders of a highly centralized state.

About the Speaker:
Jessica Tomkins is currently the Terrace Research Associate in Egyptian Art at the Museum of Fine Arts in Boston, and is in the final year of her PhD in Egyptology at Brown University. She received her BA in Ancient History and Egyptology from University College London in 2009, and a Master of Studies in Ancient Greek History from the University of Oxford in 2011. She has worked on the Giza Archives Project at Harvard and the Naukratis Project at the British Museum, and has held a year-long internship in the Department of Egyptian Art at the Metropolitan Museum of Art in New York. She was also awarded a fellowship by the Joukowsky Institute of Archaeology and the Ancient World to be the Collections Proctor for the Egyptian collection at Brown University for the forthcoming year. For her PhD, Jessica is examining the relationship between regional and central power in the Old Kingdom.

----------
Parking is available in U.C. lots after 5 p.m. on weekdays and all day on weekends for a fee. Ticket dispensing machines accept either $5 bills or $1 bills, and credit cards. Parking is available in Parking Structure B on Bancroft between Hearst Gym and Kroeber Hall and just across the street from the University Art Museum. Parking is also available under the shops on Bancroft opposite Barrows Hall. There is a parking structure under the Student Union further west on Bancroft.

A map of the campus is available online at http://www.berkeley.edu/map/
For more information about Egyptology events, go to http://www.arce-nc.org
or http://www.facebook.com/NorthernCaliforniaARCE .

Saturday, September 2, 2017

A Green Light for Art Criminals? - The New York Times


https://www.nytimes.com/2017/09/01/arts/london-police-art-antiques-unit.html

A Green Light for Art Criminals?

Shaun Greenhalgh at his studio in the north of England in May. "There's less good faking now," said Mr. Greenhalgh, who in 2007 was sentenced to four years and eight months in prison after making and selling forgeries of historic artworks. Credit Rex Features, via Associated Press

LONDON — The horrific Grenfell Tower fire, which claimed the lives of about 80 residents of an apartment block here in June, has had a number of unforeseen consequences.

Among them is the Metropolitan Police's decision to temporarily transfer the three officers in its art and antiques unit to the team investigating the blaze. The redeployment of Detective Constables Sophie Hayes, Ray Swan and Philip Clare, first reported last month in The Art Newspaper, leaves London, the world's second-largest market for art and antiques, after New York, unsupervised by any specialist police officers — for the moment, at least. In 2016, the British market, dominated by London's auction houses and dealers, was estimated to be worth $12 billion in sales, according to a report compiled by Art Basel and UBS.

"It's the wheel turning full circle," said Richard Ellis, a former officer at the Met, as the police force is known, who founded the unit in 1989. His art and antiques squad of then-four permanent detectives revived a section that had been disbanded in 1984.

"It seems hugely irresponsible to close the unit at a time when terrorist activity is being funded at least to some extent by the illegal trade in antiquities," he added. "We're at a completely opposite pole from America."

Mr. Ellis contrasted the Met's three reassigned art crime detectives with the 16 special agents in the F.B.I.'s Art Crime Team. A further 6,000 special agents are deployed by U.S. Immigration and Customs Enforcement, known as ICE, to protect cultural property from trafficking.

ICE contends that the Islamic State militant group has established "systematic procedures" in Iraq and Syria to "extort illegal excavation operations to generate revenue." This illegal traffic has therefore become a hot-button issue for the Department of Homeland Security in Washington and for international bodies such as Unesco. But reputable antiquities dealers, while wary of handling looted works, remain sanguine.

"In 2011, we asked our members to report if they were offered anything suspicious," said Vincent Geerling, a trader in Amsterdam who is chairman of the International Association of Dealers in Ancient Art. Seven of its 32 members are based in London. "To our astonishment, it just hasn't happened," said Mr. Geerling, who cited just two examples of suspicious items being offered to the association's members.

But according to Édouard Planche of Unesco's secretariat, looters are simply playing a waiting game.

"You don't see the most valuable illegal pieces on the open market," Mr. Planche said. "But we've seen the extent of the illegal excavations. Where does this stuff go? It either goes into private collections or is put in storage. Sooner or later, it will appear on the market, maybe in 20 years' time."

The United Nations Security Council announced in February 2015 a ban on all trade in looted antiquities from Iraq and Syria. The moratorium appears to have been effective, at least in the experience of London's police force.

"The Met's Art and Antiques Unit have had no referrals to support the claim that the London art market is experiencing an upsurge in artifacts emanating from conflict zones in Syria and Iraq," said Asim Bashir, a Met communications officer, in an email. He said the Met was currently dealing with "a very small number" of investigations relating to illicitly excavated antiquities from those regions.

"Information gathered shows that the items left the source countries a number of years ago," he added.

Martin Finkelnberg, head of the Art and Antiques Crime Unit of the Dutch police, said he had seen "no evidence" of antiquities being sold to fund terrorism. And he sympathized with the Met's decision to reassign its art and antiques specialists. "When something major happens, it has to be all hands on deck," he said. "Police forces only have so many officers."

Originally founded in 1969, the Metropolitan Police's art and antiques unit has accumulated specialist expertise in a range of art-related crimes including theft, forgery and fraud. Its London Stolen Arts Database contains details and images of 54,000 items. .

The Met declined to provide overall statistics about the unit's recent investigations or prosecutions, and just one art-related prosecution features in the Met's searchable news releases. In June, Nadeem Malick was sentenced to 18 months in prison for dealing in stolen watches.

Mr. Ellis, the former leader of the Met's art and antiques squad, said that in the 1980s and '90s, police resources were further stretched by fakes. Investigating master forgers such as John Myatt and Shaun Greenhalgh required the unit to take on five extra officers, according to Mr. Ellis.

"There's less good faking now," said Mr. Greenhalgh, who in 2007 was sentenced to four years and eight months in prison after making and selling forgeries of historic artworks. These included an "ancient Egyptian" alabaster statue of a princess that was bought in 2003 by the Bolton Museum in northern England in 2003 for 440,000 pounds, or about $700,000 at the time.

"It's far more difficult to do with the science being what it is," said Mr. Greenhalgh, 57. "Painting fake old masters is just not possible now. But any confident art student can do 20th century."

Mr. Greenhalgh's privately printed autobiography, "A Forger's Tale," was reissued by a mainstream publisher in June and has so far sold 5,000 copies in hardback. In the book, he controversially claims to have forged "La Bella Principessa," a drawing, purportedly by Leonardo da Vinci, that has been valued at as much as $150 million.

The former faker described the Met's specialist art and antiques detectives as an "occupational hazard" when he was active. He said he thinks that genuine artifacts, rather than forgeries, now present a bigger challenge to the police.

"Plundering antiquities in the Middle East and South America and legitimizing them with false provenances, that's the major problem in the art world today," Mr. Greenhalgh said.

Janet Ulph, a professor of commercial law at the University of Leicester in England, takes a similar view. "Cultural property is a specialist area," she said. "You do need police experts who understand all the different laws relating to the illicit trade."

She said she is concerned that Britain might be unable to fulfill its obligations to international agreements, such as a recent United Nations resolution which urges governments to take effective measures against trafficking in cultural property. "The absence of the unit cuts away at the U.K.'s response," Professor Ulph said.

It might be too much to say that the scaling back of the Met's art and antiques unit is a green light to criminals. But right now, there is no officer on the art beat keeping an eye on the traffic.

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Susan Tower Hollis, PhD, Named a Lifetime Achiever by Marquis Who's Who


http://www.24-7pressrelease.com/press-release/susan-tower-hollis-phd-named-a-lifetime-achiever-by-marquis-whos-who-443216.php

Susan Tower Hollis, PhD, Named a Lifetime Achiever by Marquis Who's Who

Dr. Hollis has been endorsed by Marquis Who's Who as a leader in the fields of history and higher education
    PENFIELD, NY, September 01, 2017 -- Marquis Who's Who, the world's premier publisher of biographical profiles, is proud to name Susan Tower Hollis, PhD, a Lifetime Achiever. An accomplished listee, Dr. Hollis celebrates many years of experience in her professional network, and has been noted for achievements, leadership qualities, and the credentials and successes she has accrued in her field. As in all Marquis Who's Who biographical volumes, individuals profiled are selected on the basis of current reference value. Factors such as position, noteworthy accomplishments, visibility, and prominence in a field are all taken into account during the selection process.

A graduate of Harvard University, Dr. Hollis has been working in higher education her entire career. She taught at various universities, including Scripps College, The Union Institute, Sierra Nevada College, and for the majority of her career, State University of New York (SUNY), Empire State College. Taken on board at SUNY in 1996 as a center director and associate dean for the Central N.Y. Center in Syracuse, she then became involved in a variety of academic positions, including an associate professor, Coordinator of their Western Regional MA in Liberal Studies program, Coordinator of the MA in Liberal Studies Program 2014-2016, and, in 2007, a Core Faculty member of the MA in Liberal Studies Program and Professor.

From 2007-2011, Dr. Hollis has also served as a member of the Academic Personnel Committee for the college and in 2008-9 and 2010-11 as chair of the Academic Personnel Committee at SUNY, Empire State College. During her years at SUNY, Dr. Hollis also held the roles of convener of the historical studies and interdisciplinary studies Areas of Studies faculty, member of the Academic Policies and Learning Programs committee, and co-chair of the Academic Policies and Learning Programs committee.

Dr. Hollis' lifelong dream to teach began in her youth, when she began instructing the art of sailing at the age of 14. In the years since, her passion for helping people achieve their educational goals has remained constant. Receiving a AB at Smith College in 1962, she completed a PhD at Harvard University 20 years later. In 1990 she then became a certified lifetime instructor of history and humanities for the California Community College system.

Early in her career, Dr. Hollis was a coordinator for the Radcliffe (College) Summer Program in Science for high school girls. Responsible for making the program more diverse, she then added a "Big Sisters" program component to it. She was also actively involved in getting the young women in the program into the STEM related careers, and was responsible for increasing follow-through from an expected 50% to 62%-75% of females in science and mathematics arranged for college majors and careers.

The author of "The Ancient Egyptian: Tale of Two Brothers" in 1990, with its second edition released in 2008, Dr. Hollis is currently working on two other books, tentatively titled "Egyptian Goddesses: Their Beginnings, Actions, and Relationships in the Third Millennium BCE" and as invited editor for a volume tentatively titled "Oxford Handbook on Ancient Egypt and the Hebrew Bible." She has contributed to journals and encyclopedias, was assistant editor for the book "Working with No Data" in 1987, and has been a member of the advisory board for KMT: A Modern Journal of Ancient Egypt since 1991. Additionally, Dr. Hollis was co-editor of "Feminist Theory and the Study of Folklore" in 1993, and served as editor of "Hymns, Prayers and Songs: Anthology of Ancient Egyptian Lyrics & Poetry" by John L. Foster in 1996.

Dr. Hollis has held several roles in various professional organizations, including the New York State Network for Women Leaders in Higher Education, the New York Academy of Sciences, the Egyptology Society of New York, the Society of Biblical Literature, and the American Academy of Religion. The recipient of a Susan H. Turben Award for Excellence in Scholarship by SUNY, Empire State College, in 2006, Dr. Hollis was truly honored and surprised to receive the award. She also received a Scholar Across the College Award, and has been named to various editions of Who's Who of America, Who's Who in America, Who's Who in American Education, Who's Who in the East, Who's Who in the World, Who's Who in Religion, and Who's Who of American Women.

A mother of two and proud grandmother of two, Dr. Hollis has been volunteering her time with the Sierra Club since 1988. She has also been known to dedicate her time with various other organizations, such as the Odyssey of the Mind as a judge and problem captain, with the Tahoe Rim Trail as a crew chief, and with the Masterworks Chorale in various capacities, as well as playing recorders of five different sizes in the Rochester Chapter of the American Recorder Society, from which a small group in which she participates plays in nursing homes, senior centers, schools, farmers' markets, and churches.

In recognition of outstanding contributions to her profession and the Marquis Who's Who community, Susan Tower Hollis, PhD, has been featured on the Marquis Who's Who Lifetime Achievers website. Please visit www.ltachievers.com for more information about this honor.

About Marquis Who's Who :
Since 1899, when A. N. Marquis printed the First Edition of Who's Who in America , Marquis Who's Who has chronicled the lives of the most accomplished individuals and innovators from every significant field of endeavor, including politics, business, medicine, law, education, art, religion and entertainment. Today, Who's Who in America remains an essential biographical source for thousands of researchers, journalists, librarians and executive search firms around the world. Marquis publications may be visited at the official Marquis Who's Who website at www.marquiswhoswho.com.
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