A video apparently showing a worker using a hammer and chisel to chip at the stones of the Great Pyramid of Giza, a Unesco World Heritage site and only remaining Wonder of the Ancient World, has sparked outrage.
The controversy began in November as the video, posted on social media, went viral, with Egyptians decrying the lack of supervision from antiquities authorities as a "disaster". It escalated to the Egyptian parliament, where the MP Amira Abu Shoka called for accountability from the minister of tourism and antiquities, Sherif Fathy. Shoka said the incident tarnished Egypt's reputation and fuelled rumours about the demolition of parts of the Great Pyramid.
Fathy promised an investigation and his ministry issued a statement saying that the work, to install a new lighting system, involved removing modern construction materials added decades ago to cover the existing lighting. Despite the ministry's insistence that the work did not affect the original structure or its ancient stones, the outrage continued, with Egyptologists calling for greater adherence to Unesco regulations and the Venice Charter.
Monica Hanna, an Egyptologist, says "mismanagement" is the greatest threat to Egyptian heritage. She cites a controversial plan to reinstall ancient granite cladding on the pyramid of Menkaure, the smallest of the three great pyramids of Giza, that was only prevented last February due to international concern.
The Great Pyramid furore erupted ahead of the planned opening of a new visitor centre at Giza this month, part of a revamp of the Giza Plateau. Recent development on the plateau, including a new highway and several new cafés and restaurants alongside it, had already triggered growing concern about its future.
"Any work on the Giza plateau, whether it is the removal of concrete or the installation of lights, or indeed, any building work, must be carefully monitored as there is scope for destruction and loss of data," says Salima Ikram, a professor of archaeology at the American University in Cairo. "Buildings on the plateau should be limited and kept far away from the pyramids as these would disrupt the view and alter the landscape dramatically."
The Giza incident has become a touchstone for debates about Egypt's cultural identity amid ongoing struggles to preserve heritage sites from looting, smuggling, vandalism and urban encroachment as well as recent controversy about the destruction of historic and modern cemeteries in Cairo's City of the Dead to build new infrastructure.
As the government forges ahead with an ambitious programme of development and infrastructure building, the balance between attracting tourist dollars crucial to the economy and safeguarding historic sites is more delicate than ever. Infrastructure projects include a new high-speed rail line under construction from the north of the country to Aswan that will cut through important sites like Abydos, as well as a highway that will impact the pyramids at Dahshur, another Unesco World Heritage site.
Steve Harvey, an Egyptologist and the director of the Ahmose and Tetisheri Project at Abydos, says he is more concerned about potential damage to the vast number of underground sites and ruins, especially those along the new rail route, than about popular tourist destinations like Giza. "The uninitiated—like developers, construction workers and labourers—might not recognise the value of less visible heritage," he says.
ARCE’s
Annual Meeting
will take place from April
25-27, 2025, at The
Westin St. Francis San Francisco
on Union Square.
Join
us in San Francisco for
an engaging blend of in-person
presentations, panels, workshops,
and networking opportunities.
Showcase your expertise and
connect with a vibrant scholarly
community as we delve
into the wonders of Egyptian
history, heritage, fieldwork,
and technological advancements!
With
lectures, panels, and dynamic
discussions, the Annual Meeting
offers an in-depth exploration of
Egypt’s rich cultural heritage.
Discover
a wide array of topics—from
ancient Egypt to Islamic and
Coptic studies, and cutting-edge
discoveries—while
engaging with leading
Egyptologists and researchers.
Amenhotep III ruled Egypt for nearly four decades until his death in 1349 BCE at the age of 50. He is entombed inside the limestone hills of the Theban Necropolis, a sprawling cemetery on the banks of the Nile River opposite modern-day Luxor, where pharaohs and their queens, priests, and royal scribes were buried between the sixteenth and eleventh centuries BCE. The pharoah's reign was marked by prosperity, political stability, and the creation of some of ancient Egypt's most magnificent complexes, and his legacy includes an elaborate mortuary temple intended for rituals and offerings to honor him in perpetuity.
The mortuary temple, constructed not far from his tomb, was the grandest of all mortuary temple complexes built in Egypt. It originally included three massive mud-brick pylons, or gates, aligned on a single axis, and a long connecting corridor leading to an immense open solar courtyard, a roofed hall, a sanctuary, and sacred altars. The temple contained hundreds of freestanding statues, sphinxes, and massive steles (tombstone-like slabs of stone) once carved with descriptions of Amenhotep III's building achievements. The temple complex was enormous: it measured 328 feet (100 meters) wide by 1,968 feet (600 meters) in length, which is longer than five American football fields placed end to end.
The Severe Deterioration of the Temple Complex
Unfortunately, Amenhotep III sited his mortuary temple too close to the Nile River. Over the course of centuries, water repeatedly inundated the complex, damaging its architecture and statuary. An earthquake in 27 BCE and the pillaging of stone and statuary for reuse in other structures (not uncommon in ancient Egypt) further damaged the integrity of the temple.
Our Involvement
Inclusion on the Watch
When World Monuments Fund (WMF) first listed the mortuary temple on the World Monuments Watch in 1998, all that remained of the pharaoh's funerary temple were the Colossi of Memnon. These two gigantic statues seated on thrones, each as tall as a six-story building and weighing an estimated 720 tons (650,000 kg), originally stood guard at the temple's main gate. Misnamed by the ancient Greeks, the statues in fact depict Amenhotep III gazing across the Nile—not Memnon, a mythological Ethiopian king. Beyond the colossi, the temple site was strewn with thousands of fragments of columns and statues, rubble, and stone used in constructing the huge complex.
Treasures beneath the Colossi
WMF funded initial emergency stabilization of portions of the site, documentation of existing conditions, and the development of a long-range conservation plan. Of great concern was the rising salty groundwater. Completion of the Aswan High Dam in 1970 halted the Nile's destructive flooding, but irrigation of adjacent agricultural fields sent saltwater coursing to the temple site, eroding ancient porous limestone and sandstone relics. In 2004, with support from WMF, a drainage system was built to minimize the quantity of damaging saltwater reaching the temple site. An international team of specialists began excavations around the bases of the towering colossi. There they discovered several significant artifacts, buried under nearly 4,000 years of soil and river silt, including the missing forearm of one of the colossi, as well as fragments of the figure's pleated kilt-like skirt and throne. An imposing sculpture of Amenhotep III's wife, Queen Tiy, was also excavated.
The Future of the Temple Complex
The pharaoh's mortuary temple continues to yield stunning treasures. In recent years archaeologists and conservators have identified dozens of statues of the war goddess Sekhmet and a 7-ton (6,350 kg) torso of Amenhotep III. Yet to be explored are the architectural ruins of an immense hall, once roofed and supported by rows of gigantic columns, and hundreds of statues await restoration and relocation to their original sites. As archaeological and conservation work proceeds, WMF continues to support the resurrection of Amenhotep III's extraordinary mortuary temple.
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World Monuments Fund safeguards cultural heritage around the globe, ensuring our treasured places are preserved for present and future generations.
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The Board of Directors of the American Research Center in Egypt, Northern Californiachapter, is offering one $1,500 grant to a qualified University of California, Berkeley, student. The deadline for submission is Friday, Jan. 31, 2025 with the winner to be recognized at our February 9 meeting.
Applicants must be UC Berkeley undergraduate or graduate students from any department/program who are pursuing a degree that incorporates Egyptian anthropology, archaeology, art, history, museum studies or language, or Coptic or Arabic studies.
To apply, please submit 1) a brief summary (~500 words) describing how you will use the grant, including how the funded project will contribute to your development as a scholar; and 2) a 1-2 page CV. Applications will be reviewed by the Board of Directors of ARCE Northern California. Current Berkeley students and faculty on the board will recuse themselves from voting. Selection criteria include clarity, feasibility and originality. Proposals involving work in an archive or collection should include a statement regarding the current status of your request for access.
At the conclusion of the work for which the grant was given, awardees will send to the Board a brief summary of what was accomplished with the grant. In addition, ARCE NorCal encourages our grant winners and all our graduate students to consider developing their findings into an hour-long talk to chapter members, for which our standard honorarium would apply.
Students should apply by email (Word or PDF file) to ARCENorCal@gmail.com by the Jan. 31 deadline.
The grant honors the memory of Marie Buttery, founding president of our chapter.
ARCE Northern California also offers a $1,500 student grant each fall in memory of its former member Professor Eugene Cruz-Uribe. Call for applications for this grant will go out later in 2025.
In the previous article, we discussed a portion of the archaeological discoveries announced on January 8th. We concluded by translating the text inscribed in hieroglyphics on the funerary stela presented by Khuthutmes, the overseer of Queen Tetisheri's palace, to the spirit of his friend, the commander of the chariot forces, Minnakht. This was during the ninth year of the reign of King Ahmose, who expelled the Hyksos from Egypt and founded the 18th Dynasty, marking the beginning of the golden age of ancient Egyptian civilization.
Naturally, archaeologists worldwide were astonished to hear this news and these precise and dated details about one of the most important periods of Egyptian civilization, a period with relatively few contemporary sources: between 1550 and 1525 BC, the reign of King Ahmose. Therefore, it was necessary to publish images of the funerary stela and other discoveries from the tomb of Minnakht, to whom the stela was dedicated by his friend Khuthutmes.
Beyond the historical and archaeological significance of this discovery, it confirms to the entire world just how civilized and advanced Egypt was as a society, one that understood the noblest meanings of friendship and loyalty.
At a time when Khuthutmes was inscribing this funerary stela and offering its contents as an offering to the spirit of his friend, ensuring his name and memory would live on for millennia, Europe was still in the prehistoric era. It would not enter history until the 7th century BCE with the spread of the Phoenician alphabet, more than eight centuries after the death of Khuthutmes.
Moving to the numerous funerary seals that we discovered. These are cone-shaped seals made of fired clay. The circular base of the seal bears an inscription that includes the name and title of the seal's owner, typically written in three lines, either horizontally or vertically.
The fact that these seals date back to the end of the 17th Dynasty and the beginning of the 18th Dynasty, and were found beneath the floor of the Valley Temple of Queen Hatshepsut, confirms our previous findings that the architect Senenmut had closed and filled the ancient cemetery, and had allocated its site for the construction of the Valley Temple and the ascending causeway to Hatshepsut's temple at Deir el-Bahri.
Among the most important seals we found was a broken one with a large portion of the inscription remaining. The inscription mentions that the owner of the seal was named Khuthut (different from the previously mentioned Khuthutmes) and was the high priest of Amun during the reign of King Ahmose.
A few examples of this seal have been discovered before, and archaeological references suggest that the tomb of this priest has not yet been discovered. It was previously suggested that his tomb might be located in the Dra Abu el-Naga area, north of the site where I am conducting excavations. It is also possible that we are close to discovering this man's tomb.
The discovery of numerous 17th Dynasty burial shafts is one of the most significant finds, enriching our understanding of this combative dynasty that bore the burden of armed struggle against the Hyksos invaders.
Within these shafts, we have reached burial chambers belonging to the middle class, where we found coffins, known in academic literature as 'feathered coffins' due to the depictions of divine wings that often adorned them, enveloping the deceased and offering protection from the dangers of the afterlife. Among these coffins was one belonging to a small child, no longer than a meter, found sealed, with a rope wrapped around its neck and feet, serving as a carrying handle.
These coffins were all made of local woods such as sycamore and acacia, and the funerary equipment found was very simple, consisting of bows, arrows, weaving tools, pottery, and mats made of papyrus.
The simplicity of the funerary equipment gives us a good idea of the living standards and social class of those buried in this part of the cemetery, as well as reflecting the economic state of a country that had been occupied for over a century.
Notably, in the burials of the 17th Dynasty, there were numerous so-called 'votive coffins' dedicated to the god Osiris. These small coffins, no larger than 14 centimeters, were made of wood or clay and bore dedicatory inscriptions. One such coffin, inscribed in hieroglyphics, was said to belong to the king's son. In a number of child burials dating to the end of the 17th and beginning of the 18th Dynasty, we found shallow burials of young children with simple but beautiful terracotta dolls, which were all that remained of their funerary equipment.
Last year, we transferred the oldest wooden and woven reed bed ever discovered in Egypt to the Museum of Civilization for display, as it is a rare and unique artifact dating back to the late 17th and early 18th dynasties. The bed, along with an earthenware water jar, was found inside a chamber carved into the rock, with a three-step staircase carved into the natural rock as its entrance. Due to the location of the chamber at the entrance of the necropolis and the absence of any indication of its use for burial, we described it as a room for the guards of the necropolis who worked in shifts.
If we move beyond the 17th Dynasty and delve deeper into the site's history, we will find evidence that it dates back to the Middle Kingdom. This conclusion is based on our discoveries, most notably the discovery of a large tomb dating back to the 12th Dynasty.
After the destruction of Hatshepsut's temple, which had concealed it, the tomb was reopened and reused during the Ptolemaic period, with many additions and burial chambers being excavated, turning the tomb into a labyrinth.
In the main burial chamber, we found a unique collection of large horseshoe-shaped offering tables made of pottery, depicting the offerings desired by the deceased, such as meat, ox heads, bread, and beer. These tables are a distinctive feature of the 12th Dynasty and are easily recognizable to any archaeologist. We also found the base of a standing statue of an official named Montu-oser, with inscriptions of offerings.
It is difficult to imagine the immense effort and high cost that the architect Senenmut incurred from the state treasury to clear the site and fill in a large ancient cemetery in order to build Hatshepsut's mortuary temple in that specific location.
Archaeologists and historians have often speculated about the reasons why Hatshepsut chose Deir el-Bahri for her monumental tomb. Some have suggested that her primary motivation was the desire to be near the tomb of Montuhotep II, the founder of the 11th Dynasty and the Middle Kingdom.
Others have proposed that the reason was the alignment of the temple with the Amun temple on the east bank of the Nile. However, based on our recent discoveries, it seems that the most likely reason is that her grandfather Ahmose and her grandmother Tetisheri were buried there.
Our next article will delve into the fascinating discoveries made within the Ptolemaic cemetery that was built over the ruins of Hatshepsut's temple. We will explore the artifacts unearthed at this site and discuss their significance.
The American Research Center in Egypt, Northern California chapter, and the UC Berkeley Department of Middle Eastern Languages and Cultures invite you to attend a lecture by Alison Wilkinson, Johns Hopkins University: